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In fine art, a work of art (or artwork or work) is a creation, such as a song, book, print, sculpture or a painting, that has been made in order to be a thing of beauty in itself or a symbolic statement of meaning, rather than having a practical function.

Since modernism, the field of fine art has expanded to include photography (and fine art photography in particular), film (and art film in particular), performance art, conceptual art, and video art.

What is perceived as a work of art differs between cultures and eras and by the meaning of the term '"art" itself. Up until the 1970s, for example, art critics and the general public tended to exclude applied arts from works of art.

To establish whether a work is a work of art, the concepts of artistic merit and literary merit are regularly invoked.

A work of art might be called also an objet d'art a French phrase that literally translates to "art object" and means something with perceived artistic value.

Among practitioners of contemporary art, various new media objects such as the DVD, the web page, and other interactive media have been treated as art objects; such treatment frequently involves a formalist (or "medium-specific") analysis. The formal analysis of computerized media has yielded such art movements as internet art and algorithmic art. The purpose of "new media objects" is not to replace traditional media, but to challenge old media.

Fine Art

Fine art refers to arts that are "concerned and designates a limited number of visual art forms, including painting, sculpture, architecture and printmaking. Schools, institutes, and other organizations still use the term to indicate a traditional perspective on the visual arts, often implying an association with classic or academic art.

The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline. This definition tends to exclude visual art forms that could be considered craftwork or applied art, such as textiles. The more recent term visual arts is widely considered to be a more inclusive and descriptive phrase for today's variety of current art practices, and for the multitude of mediums in which high art is now more widely recognized to occur. Ultimately, the term fine in 'fine art' comes from the concept of Final Cause, or purpose, or end, in the philosophy of Aristotle. The Final Cause of fine art is the art object itself; it is not a means to another end except perhaps to please those who behold it.

An alternative, if flippant, reference to "fine art," is capital "A" art, or, art with a capital "A."

The term is still often used outside of the arts to denote when someone has perfected an activity to a very high level of skill. For example, one might metaphorically say that "Pele took football to the level of a fine art."

That fine art is seen as being distinct from applied arts is largely the result of an issue raised in Britain by the conflict between the followers of the Arts and Crafts Movement, including William Morris, and the early modernists, including Virginia Woolf and the Bloomsbury Group. The former sought to bring socialist principles to bear on the arts by including the more commonplace crafts of the masses within the realm of the arts, while the modernists sought to keep artistic endeavour exclusive, esoteric, and elitist.

Confusion often occurs when people mistakenly refer to the Fine Arts but mean the Performing Arts (Music, Dance, Drama, etc).

An academic course of study in fine art may include a Master of Fine Arts degree.

Painting, meant literally, is the practice of applying color to a surface (support) such as paper, canvas, wood, glass, lacquer, or other. However, when used in an artistic sense, the term "painting" means the use of this activity in combination with drawing, composition and other aesthetic considerations in order to manifest the expressive and conceptual intention of the practitioner.

Painting is used as a mode of representing, documenting and expressing all the varied intents and subjects that are as numerous as there are practitioners of the craft. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature. A large portion of the history of painting is dominated by spiritual motifs and ideas; sites of this kind of painting range from artwork depicting mythological figures on pottery to biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel to depictions of the human body itself as a spiritual subject.

Printmaking

Printmaking is the process of making artworks by printing, normally on paper. Except in the case of Monotyping, the process is capable of producing multiple copies of the same piece, which is called a print. Each copy is known as an impression. Painting or drawing, on the other hand, create a unique original piece of artwork. Prints are created from a single original surface, known technically as a matrix. Common types of matrices include: plates of metal, usually copper or zinc for engraving or etching; stone, used for lithography; blocks of wood for woodcuts and linoleum for linocuts. But there are many other kinds, discussed below. Each print is considered an original work of art, not a copy. Works printed from a single plate create an edition, in modern times usually each signed and numbered to form a limited edition. Prints may also be published in book form, as Artists' Books. A single print could be the product of one or multiple techniques.

Sculpture

Throughout most of history, the purpose of creating sculpture has been to produce works of art that are as permanent as is possible. So to that end, works were usually produced in durable and frequently, expensive materials, primarily bronze and stone such as marble, limestone, Porphyry, and granite. More rarely, precious materials such as gold silver, jade, and ivory were used for chryselephantine works. More common and less expensive materials were used for sculpture for wider consumption, including woods such as oak, Buxusbox and Tilialime, terra cotta and other ceramics, and cast metals such as pewter and spelter.

Sculptors are constantly searching for new ways to make art and for new materials to use. Andy Goldsworthy is notable as a sculptor for his use of almost entirely natural materials in natural settings and for creating sculptures much more ephemeral than is typical. Other artists, including Jim Gary used less conventional media including automobile parts, tools, machine parts, and hardware in sculpture as well as glass. Pablo Picasso used bicycle parts for one of his most famous sculptures. Alexander Calder and other modernists made spectacular use of painted steel. Since the 1960s, acrylics and other plastics have been used as well. Despite durability being the usual objective, some sculpture is deliberately short lived -- for example, ice and sand sculptures or gas sculptures.

Sculptors often build small preliminary works called maquettes of ephemeral materials such as plaster of paris, wax, clay, and even plasticine, as Alfred Gilbert did for 'Eros' at Piccadilly Circus, London.

Visual Arts

The visual arts are art forms that focus on the creation of works which are primarily visual in nature, such as painting, sculpture, photography, printmaking, and filmmaking. Those that involve three-dimensional objects, such as sculpture and architecture, are called plastic arts. Many artistic disciplines (performing arts, language arts, and culinary arts) involve aspects of the visual arts as well as other types, so these definitions are not strict.

Drawing

Drawing is a means of making an image, using any of a wide variety of tools and techniques. It generally involves making marks on a surface by applying pressure from a tool, or moving a tool across a surface. Common tools are graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoals, pastels, and markers. Digital tools which simulate the effects of these are also used. The main techniques used in drawing are: line drawing, hatching, crosshatching, random hatching, scribbling, stippling, and blending. An artist who excels in drawing is referred to as a draftsman or draughtsman".

Painting

Painting taken literally is the practice of applying pigment suspended in a carrier (or medium) and a binding agent (a glue) to a surface (support) such as paper, canvas or a wall. However, when used in an artistic sense it means the use of this activity in combination with drawing, composition and other aesthetic considerations in order to manifest the expressive and conceptual intention of the practitioner. Painting is also used to express spiritual motifs and ideas; sites of this kind of painting range from artwork depicting mythological figures on pottery to The Sistine Chapel to the human body itself.

Printmaking

Printmaking is creating for artistic purposes an image on a matrix which is then transferred to a two-dimensional (flat) surface by means of ink (or another form of pigmentation). Except in the case of a monotype, the same matrix can be used to produce many examples of the print. Historically, the major techniques (also called mediums) involved are woodcut, line engraving, etching, lithography, and screenprinting (serigraphy, silkscreening) but there are many others, including modern digital techniques. Normally the surface upon which the print is printed is paper, but there are exceptions, from cloth and vellum to modern materials. Prints in the Western tradition produced before about 1830 are known as old master prints. There are other major printmaking traditions, especially that of Japan (ukiyo-e).

Photography

Photography is the process of making pictures by means of the action of light. Light patterns reflected or emitted from objects are recorded onto a sensitive medium or storage chip through a timed exposure. The process is done through mechanical, chemical or digital devices known as cameras.

Traditionally, the product of photography has been called a photograph. The term photo is an abbreviation; many people also call them pictures. In digital photography, the term image has begun to replace photograph. (The term image is traditional in geometric optics.)

Computer art

Visual artists are no longer limited to traditional art media. Computers may enhance visual art from ease of rendering or capturing, to editing, to exploring multiple compositions, to printing (including 3D printing.)

Computer usage has blurred the distinctions between illustrators, photographers, photo editors, 3-D modelers, and handicraft artists. Sophisticated rendering and editing software has led to multi-skilled image developers. Photographers may become digital artists. Illustrators may become animators. Handicraft may be computer-aided or use computer generated imagery as a template. Computer clip art usage has also made the clear distinction between visual arts and page layout less obvious due to the easy access and editing of clip art in the process of paginating a document, especially to the unskilled observer.

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